6. Post Processing

Some call it editing, some tweaking, and some, like me, we call it post processing (Pp).
As the name suggests, here we deal with the photos once they have already been taken. Blown highlights, deep shadows, details not enough, or plain need of some special effects, they all get sorted out right here. Do not be in the illusion that the pro photographers do not post process their photos, or that if you tweak them, you lack skill. There is nothing wrong, rather, post processing is one of the necessary parts of photography I would say.

Pp constitutes of absolutely everything thats being done to make the photo look better. But be advised, I feel it to be ethically correct that during Pp, the original photo should not be distorted. Put in the effects, change the contrast, change the color, go on, but do not add or delete details from the photo, thats my policy, but then again, ideas and outlook does vary.

While Pp, the big question comes up, how much available data is there for us to do the manipulations. This is where, the format wars, RAW vs JPG begins. In the film camera era, there was just one output from the camera and that was the negative. How you process the photo depended on how you treated the negative, partial prints, superpositions, etc…In the similar terms, we can call the RAW format as the negative while the JPG format being the actual print. There is not much flexibility regarding how much data we can pull and manipulate from the JPG format photos, while the RAW ones, are much bigger files and contain more data, hence, more options.

Pp has its side effects too. It makes the photographer complacent and careless at times, because, at the back of the head, the knowledge that the issues can be fixed is always there. Some people I know, they believe on taking the photo correctly in terms of the composition and aesthetics only. This is necessary, because in the end, how the photo looks matters the most. But, being technically correct also is essential. The more you manipulate a photo, the more noise or grain you will introduce to the photo. The quality degrades. So, the way I see it, take the photo as close to as how you would want the end product to be, little variations in the levels, let the post processing handle them.
Check out the photos underneath, they have been post processed on mobile apps…and yeah, these all are using cellphone cameras! Special thanks to my dear friend Miss R. Raja for putting up an awesome display pic in her account which  I have borrowed for my tweaking. The original photo is her property and she has the rights to it.

 Raveena Raja 20141030_093512    919893097638_Anne_Burn_Dirt

IMG_20141027_190539    IMG_20141027_190539_Anne_Burn_Flowery

IMG_20141025_153258     IMG_20141025_153258_Jean_Morning_Pint

IMG_20141001_100431     IMG_20141001_100431_Harry_Burn_Ground1

Cheers!

5. Flash Photogrpahy

Flash photography, is simply put using the flash during taking the photo. We all know what a flash does, add light to the scene, thats the nutshell. Good use of flash allows the proper amount of light and also not washing off the colors in a photo. Most common use is during the night time photographs we take. These basic things, we are all aware off, and knowingly or not, we use them every other day.
But what do we do, when our subject is backlit, most commonly by sunlight? We take a photo without flash, and we end up having silhouette photos. I, personally, love the silhouette shots, but sometimes, you would like that the subject’s features, expressions too be captured. This is when the flash becomes indispensable. This technique of using the flash is known as “Fill Flash”.
Now, in a DSLR, you will have options of how strong you want the flash to be. With use and experience, you shall be able to judge the amount of light your scene needs and other than practice and trial and error, there is no short cut to it.

When you go through the options within the flash menu, generally, you ll come across the following options.
1. Normal Flash: This one is the standard issue flash setting. The shutter and the flash are synced and they normally fire simultaneously.

2. Slow sync Flash: This option comes up if you want to depict both motion and also freeze your subject. On the point and shoots, the party mode gives you this option. Here, the flash fires with combination of a slow shutter speed. The slow shutter speed gives the option to depict motion, while the flash freezes the subject in sharply.

Slow sync has two options, which come up in the Manual mode in the DSLR…
a. Front Curtain: Here, the flash is fired at the beginning of the exposure. Practically speaking, suppose you take the picture of a car moving from left to right using this method, then, the photo will have the car being sharp on the left side of your shot and then the trail of light leading it as the car exits from right. Here I show it with a coin toss! Notice how the falling coin is also captured in the shot.

Front Curtain
Front Curtain

 
b. Rear curtain: Similarly, here the flash is fired just before closing the shutter. It also does the same job, just from a different perspective. Same car, same direction, same shot, but this time, the car will be sharp in the right side of the photo with a trail of lights in the back. Similar coin toss, but here, you can see it spinning and in the moment the flash was fired, the coin’s motion has been frozen.

Rear Curtain
Rear Curtain

Flash photography can be used very creatively from making weird blurred backgrounds to eliminating shadow to freezing motion and so on…Go on take the shots and have fun creating stunning effects in the photos right in the camera.
Cheers!