AtoZ Challenge: The Glossary

The AtoZ Challenge has already come to an end for the second time, and as a result, now a glossary of the terms can be made. I believe this shall come handy for future references!

A – Aperture, Artificial Horizon

B – Bulb Mode, Bokeh

C – Colour Temperature, Composition

D – Double Exposure , Depth of Field

E – EXIF Data, Exposure Bracketing

F – Forced Perspective, Focus Stacking

G – Ghosting, Grain

H – Hot Shoe, Hyperfocal Distance

I – Infinity Focus, ISO

J – Juxtapose, JPEG vs RAW

K – Keylight, Kelvin

L – Latitude, Lens Distortion

M – Manual Mode, Macro

N – Normal Lens, Noise Reduction

O – Optical Zoom, Overexposure

P – Panning, Post Processing

Q – Quality, Quiet Release

R – Red Eye Reduction, Rear Curtain

S – Spot Metering, Shutter Speed

T – Tonal Range, TTL Metering

U – Urban Landscape, Underexposure

V – Vignetting, Vibration Reduction

W – Watermark, White Balance

X – X Speed, X Process

Y – Your Rapport, You

Z – Zoom (Digital), Zoom Burst

Have a look at these terms and let me know if I ought to add some to the list.

Cheers!!

AtoZ Challenge: A – Artificial Horizon ( Virtual Horizon)

Artificial Horizon (Virtual Horizon)

The AH feature is prevalent in aeroplanes, gliders and also on ships. The main objective being an instant cognizance of one’s orientation by a glance. It uses a gyroscope for the attitude indications.
While taking photographs, if there is a single horizontal reference that we wish to measure against, it is the visible horizon. We take the horizon to be a flat line and orient our cameras accordingly.
One may use a level tube indicator for the purpose, but it cannot be integrated into the camera. Hence, the gyroscopic sensors!

Artificial Horizon, Lenovo K6 Power, Nikon D7200, Level Indicator

Shown above is a view though the screen of my Lenovo K6 Power’s camera, which features a AH indicator, focussed at the AH indicator on the Nikon D7200. These are useful tools when you are trying to shoot a photo with precision.

So, go ahead, switch on the AH feature on your phone, or your camera and shoot straight!

Last time, A was for Aperture!

Light Trails

Photography is all about how you play with light. Whatever be the kind of photography you do, light is the essential common denominator, be it portrait, landscape, macro, or any other thing you can think of.

Light trails are a mix of use of depth of field, controlled shutter speed and ISO. Along with the basic trinity, you also bring in creativity, and different props. The understanding of how a shot is being taken, or how it should be taken, is paramount while doing light trails, light paintings and such.

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Its not always that a slow shutter is all you need. Sometimes, varying the light source also helps.

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In the end, all that matters is, that you must have a lot of fun.

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Have fun experimenting with different light sources. Understand this, when your shutter is open during an exposure, any and every movement of the light source pointing towards the camera, shall be captured by it. Use this to make shapes, letters, drawings .. the possibilities are limitless.

Good luck.

Cheers!!

AtoZ Challenge: PH – A: Aperture

for Aperture.

Aperture is the slit through which light reaches the sensor of the camera. It is part of the lens and is represented by F Number. Bigger the F number, smaller the aperture and lesser light enters the camera. Increasing the F number is known as “stepping down” the aperture. The two effects of changing the aperture are, changing the amount of light that enters through, and the amount of the picture that remains in sharp focus. With smaller aperture values, more area is blurred. Often, lens have a sharp sweet spot, based on the aperture.

More, here!

 f-1.8 f-5.6

This is part of April AtoZ Challenge. Follow me, there are another 25 letters more to go!

Cheers!!

4. Shutter Speed and the Holy Trinity of photogrpahy

Hi there all…today the final part of the basics, shutter speed…
Shutter speed, as the name suggests is how fast or how slow the shutter will open up and close down. Lower the shutter speed, slower is the shutter movement and hence more time for the sensor to gather light.
The speed is denoted by notations like 1/250, 1/500 ranging upto 1/4000 commonly, upto 1/16000 are also found in very high end models. And on the slower side, speeds go 1/10, 1/2, 1′, 10′ generally up to 30′ and then there is a “bulb” mode. In the bulb mode, the shutter will remain open as long as the shutter button is pressed, no time limit to it.
Please note, 1/250 means, shutter will remain open for 1/250th of a second. Similarly, with a shutter speed of 2′, the shutter will remain open for 2 seconds. A faster shutter speed will allow you to freeze motion, make your photos less susceptible to camera shake and other disturbances while a slower one will allow you to show motion in form of trails, or ghost images.

     1/20     1/125     1/320

Now that we know the 3 basic pillars of making of a photo, namely, ISO-Aperture-Shutter Speed, we must now understand how these three are related. Let me explain below.

Assumption: we want a properly exposed, unblurred and negligibly noisy photo

1. With increase in shutter speed, chances of blurry image is less, and also the amount of light available decreases. So, for a properly exposed photo, we need to either slow down the shutter speed, or open up the aperture or increase the ISO.
We try opening up the aperture to the maximum to let in more light and also, we increase the ISO setting to make the sensor sensitive…then, the limiting factors become, how much DOF do you want, and how much noise can your camera handle.
For settings where you control the shutter speed and let the camera handle the rest, switch to the Shutter Priority mode, denoted by the “S” button on the dial in Nikon Cameras.

2. With a wide aperture, you get ample light to work with, but a very shallow DOF. Suppose you want a deeper depth, you ll need to stop down the aperture a few stops. This, in turn causes the light available to decrease, and hence, the need arises to lower the shutter speed or increase the ISO. As stated earlier, lower shutter speed will cause blurriness due to camera shake and higher ISO will cause noise. Hence, the limiting factor basically becomes, how slow shutter speed can the lens accommodate with the Vibration Reduction (VR) systems and/or how steady your hand is.
For settings, where you control only the aperture, switch to the “A” (Aperture Priority) mode in Nikon Cameras.

3. There will be conditions, where the aperture value is maxed out, and the shutter speed is as slow as feasible and still not enough light, that is when we need to increase the ISO out of compulsion, in my opinion that is. The sensor becomes more sensitive and we get better exposure, but the chance of a grainy pic is always there.
For this mode, where you get to change only the ISO, dial in to the “P” (Program Auto) mode in Nikon Cameras.

These modes are tried and tested over the years of SLR history and they deliver impeccable results with an appreciative hit rate, its a huge advantage to know how they work. But then, there are those, who want to have total control over the Trinity. If you are amongst those who are not afraid to take complete control of your camera, have a lot of misses and very few hits initially, learn to read the photo histograms, understand the range finder and then take a shot…then switch to the Manual mode, “M” on the Nikon bodies. As an afterthought, sooner or later, you will have to shift to the Manual mode to grow…so I ll suggest, get friendly with the Manual mode early on, but do know the quick settings that might be handy in a jiffy.

Once you get cool with the modes, shots like these, are going to be easy.

  15s  1/250

1/200

Next up, the first photo effect and some shots of a very common and very beautiful, Bokkeh!

Cheers!

3. Aperture (F-stop) and Depth of Field

Hi there all, today, its all about dilation and depth…Aperture and DOF (Depth of Field)
Aperture is the slit or opening through which light enters the camera through the lens. The aperture is the characteristic of the lens and not the camera body. It is denoted by the F/- numbers, in the format of f/2, f/3.6, etc.
You might have heard people say, photos taken at “widest aperture” or “aperture fully open”, what they essentially mean is that the aperture is open at the maximum to open the maximum amount of light. The smaller the f/- number, the wider the aperture. The below photos show the apertures at various f/- numbers.

  f-1.8    f-5.6    f-11    f-22

The wider the aperture, to get a shot properly exposed, you get more light coming in at an instant…so that reduces the need to increase the ISO. Another way of saying this would be, suppose at f/5.6, you need ISO 400 to properly expose a shot, other conditions remaining constant, then, if you open up the aperture to f/1.8, then ISO 100 would cater to the shot adequately. How is this helpful…it reduces noise that are introduced with higher ISO.
Now, the other factor that is directly related to aperture values, is depth of field (DOF).
DOF refers to the part of the photo that will remain in focus when you take the shot. You might have seen and marveled at the photos, where the subject is in sharp focus and the background is a dreamy blur…that is to say, the DOF extends over the subject only. With the increase in the F/- numbers, the DOF increases i.e region of photo that will show up in sharp focus increases.
There might and will be times, when we want some of the background to show up, we would just increase the DOF, that’s all. This also acts as a buffer for the people who are unsure while using manual focus. You focus to the best of your ability, and have a fairly deep DOF, chances are very high that the subject will be in focus, but this technique is generally avoided and discouraged.
Similarly, for a shallow DOF, dial down the aperture value and hence open it up and you have yourself a very isolated subject..perfect for those portraits of your loved ones 😉

These photos below have been taken varying only the F stops to give an idea of what it is.

    f/1.8     f/3.2     f/4

        f/7.1     f/22     f/14

Now, in the following ones, are more like real situations where, with the change of F stops, DOF changes , and so does the amount of light coming in. With increase in F stops, light entry will decrease proportionately.

 

  f1.8     f2.5     f3.2

 f5     f7.1

Now, with tweaking the ISO and changing the F stop numbers (that’s what F/- numbers are called, by the way), you can manage the photos all right, the photos of still life objects, landscapes, basically, objects which wont move. How do you take a noiseless photo, with nice DOF and proper exposure too? Or how do you capture or restrict motion…that’s where shutter speed comes into play. Coming up next…
Cheers!